Planet of the Blog a Doctor Who group blog

A Doctor Who style guide for the future

Doctor Who is in flux, and so is the way we talk about Doctor Who. In what are already troubling times, how are we meant to tell the difference between “season 1,” “series 1,” “season 1,” “the first season,” and “the First Doctor”? Who even was the first one of that particular Time Lord? We no longer know.

For the record here: A style guide is nothing more than a list of stylistic preferences, typically institutional and typically self-enforced. I do not enforce it here, and I do not expect anyone to care, though you may find it helpful to kickstart a change in the way you talk. This is simply how I do things — your own preferences are likely to be different.

Who am I to write this? Well, I’ve only been talking this way for a decade, so you tell me, but I reckon this should be pretty futureproof by now.

Seasons and series and seasons

For some time, a certain section of fandom has been kind of attached to the distinction of, “seasons” are what Doctor Who (1963) had, “series” is what Doctor Who (2005) had. You may notice this distinction in most official sources — home media, Doctor Who Magazine, official websites — and more thorough fan reference works like the TARDIS Wiki typically follow suit. But it’s never been particularly rigidly enforced, and “season” vs “series” feels somewhat regional and/or down to personal preference, too — in conversation online, people will use these words interchangeably.

On top of that, we’re now approaching a new, separate and distinct era of Doctor Who; the Moffat and Chibnall eras both referred to their first series as “series 1,” too, which never really stuck outside of internal production contexts, but it really sounds like the RTD2 era is gonna make it stick — the various official sites now refer to the televised show as existing in the three distinct Doctor Who (1963-1996), Doctor Who (2005-2023), and Doctor Who (2023–) incarnations.1We here at Planet of the Blog consider the 1996 TV move a distinct entry worth its own separation, but this is mostly because, let’s be honest, I– I just think about the 1996 TV movie a lot.

In addition, consider that TorchwoodThe Sarah Jane AdventuresClass, and various Big Finish ranges also have “first seasons.” But this is unlikely to cause confusion unless somebody is speaking just staggeringly sans any context at all.

  • BAD: I would at this present moment in time recommend avoiding referring to numbered seasons when you can.
  • FINE: Context is king2No gods, no masters. key. If you refer to “the fifth series” and the Matt Smith incarnation in the same breath, ain’t nobody gonna think you’re talking about The Web of Fear.
  • GOOD: “The 2005 season.” “The 1963-64 series.” “The 2023 specials and the 2024 season.” This is as clear as it gets.
    It may take some time for a writer or reader used to other ways of referring to them to connect the 20th broadcast run of the 1963 show to “the 1983 season,” but, well, internet search engines are free, and you should be providing context to your readers, anyway.

Doctor… which one?

I saw the writing on the wall when the show first introduced John Hurt as a previously unknown incarnation between the ones we then thought were the “Eighth” and “Ninth,” and with the “Tenth” one turning out to be two, the “Eleventh” thus actually being the thirteenth, and the numbered “Thirteenth” meeting a previously unknown incarnation from before the “First,” the water’s only gotten muddier.

Part of the problem is we largely don’t have diegetic, Watsonian ways of referring to the various versions of the show’s lead character. Sure, you can call, say, the one played by Patrick Troughton “the Cosmic Hobo,” or the one played by Christopher Eccleston “him with the ears,” but one, we don’t have good, clear and recgonisable3Which one is the “clown” again? in-universe phrasings for anywhere near all of them in that way, and two, that’s likely to be more opaque to readers — even inside fandom, never mind the Not-We4“Not-We” is what RTD called “viewers who aren’t fans” sometimes during his first tenure, mostly as a way to say, there’s knowledge We have, things We understand, that the “Not-We” do not. People sometimes feel it’s a weird thing to say, and for what it’s worth, I haven’t heard RTD actually say it in yonks. — than you’re likely to want the way you talk to be. The solution is simple.

  • BAD: “Nine.” “15.” “Tenny.” Just atrocious. Criminal. “The Eleventh Doctor” already isn’t anyone’s name, you don’t need to reduce it like a sauce on a boil. Have some self-respect. Think better of yourself than to speak like this.5I’m exaggerating slightly for effect — again, I can not tell you what to do. But I do actively dislike reading or hearing this.
  • FINE: That said, “the Fifteenth Doctor,” “the Thirteenth Doctor,” “the First Doctor,” “the War Doctor,” “the Fugitive Doctor” etcetera are all totally in common usage, obviously. It’s what the Wikipedia articles are called. People will know what you mean.
  • GOOD: “The Ncuti Gatwa incarnation.” “The Jodie Whittaker incarnation.” “The Hartnell incarnation.” “The Hurt incarnation,” “the Tom Baker incarnation,” “the Colin Baker incarnation,” “the Christopher Baker incarnation,” “the Jo Martin incarnation.” “The Rowan Atkinson incarnation.” Simple. Straightforward. None of what you’ve said or written will ever be invalidated

The Tennant Problem

Of course, this does come with a… problem, because David Tennant has now played four distinct incarnations:

  • The one Christopher Eccleston turned into at the end of the 2005 season.
  • The one David Tennant turned into at the end of the 2008 season.
  • The one who split off from the second David Tennant one in that same regeneration.
  • The one Jodie Whittaker turned into at the end of the 2022 specials.

At this time, I typically refer to these as follows:

  • “Tennant I,” or “the first Tennant incarnation.”
  • “Tennant II,” or “the second Tennant incarnation.”
  • “The Meta-Crisis incarnation.6The Turning of the Tide suggests he eventually settles on the name “Corin” but I would recommend against using that unless you’re certain your audience will know what that means.
  • “Tennant IV,” or “the Final Tennant incarnation.”

I think that’s all clear enough. But where does the Valeyard fit in, again?7Between the twelfth and final incarnations, which now could be just about anywhere, anywhen. Technically Jon Pertwee played an incarnation between the twelfth and final ones, too.

Miscellaneous

  • Canon: There’s no such thing. Never use words like “canonicity” or “canonical” if you can help it — these are but sticks with which people hit each other, and we are better than them. For more on this, see Paul Cornell’s 2007 essay “Canonicity in Doctor Who“. In addition, the idea of “validity” is language specific to the TARDIS Wikia and should not be used outside of this context.
  • The Master: Frankly, a fucking mess. Do whatever you can to provide context, then pray. The Dhawan incarnation comes after Missy, though, no matter how much wishing real hard you do.
  • Pronouns: When referring to a specific incarnation, use the pronouns you’d use for the actor playing them. When referring to the character as a whole, use either their most recently accurate pronouns or they/them.
  • Romana: People will know what you mean when you say “Romana I” and “Romana II,” but later Romanas are all over the place, and without a definitive third Romana, it may be best to simply refer to “the Mary Tamm Romana,” “the Lalla Ward Romana,” “the Juliet Landau Romana,” “the EDA Romana.”
  • The Timeless Child: Speaking of wishing real hard: The series of children’s faces we see as the various incarnations of the Timeless Child are clearly established to be the show’s lead character’s earliest faces, which are then clearly followed by the Jo Martin incarnation and the faces we see in the psychic battle in The Brain of Morbius. There really isn’t as much ambiguity to their placement as some people wish there was — they’re all before the Hartnell incarnation. To suggest otherwise makes you sound, at best, stubborn, at worst, foolish.
  • 1
    We here at Planet of the Blog consider the 1996 TV move a distinct entry worth its own separation, but this is mostly because, let’s be honest, I– I just think about the 1996 TV movie a lot.
  • 2
    No gods, no masters.
  • 3
    Which one is the “clown” again?
  • 4
    “Not-We” is what RTD called “viewers who aren’t fans” sometimes during his first tenure, mostly as a way to say, there’s knowledge We have, things We understand, that the “Not-We” do not. People sometimes feel it’s a weird thing to say, and for what it’s worth, I haven’t heard RTD actually say it in yonks.
  • 5
    I’m exaggerating slightly for effect — again, I can not tell you what to do. But I do actively dislike reading or hearing this.
  • 6
    The Turning of the Tide suggests he eventually settles on the name “Corin” but I would recommend against using that unless you’re certain your audience will know what that means.
  • 7
    Between the twelfth and final incarnations, which now could be just about anywhere, anywhen. Technically Jon Pertwee played an incarnation between the twelfth and final ones, too.

On barnacles

David asked about the Stef Coburn situation — the son of writer Anthony Coburn is claiming his dad had enough of an ownership over the first Doctor Who serial that he, as controller of his estate, now seems to be able to block its re-release1Here’s Gizmodo on the issue. I would recommend strongly against clicking through to Coburn’s Twitter. — and I basically blogged about it in reply.

This is my lightly edited2Coburn doesn’t seem to be particularly litigious towards people writing about this, but for legal reasons I feel slightly less comfortable being very rude here. earnest understanding and assessment of the situation, as I rattled it off at 9:30am this morning after sleeping for twelve hours. I am not a lawyer, and I am not qualified to write about this in any way except that I’m a Doctor Who fan.

Most people writing about this are idiots. I’m probably one of them.

One

Stef Coburn is a misogynist, a conspiracy nutter, a vaccine truther, a racist, a transphobe, an all-round bigot, a typical modern conservative3These are all claims I feel I can back up just by pointing at his Twitter, but rest assured I edited out several things I felt like I couldn’t., who, though I’m sure he hates that Dr Who is played by a Black actor now just by default,4David had linked to a social media post suggesting Coburn was specifically doing this because he was mad Dr Who was Black now. seems to have experienced the show’s very existence as a miserable intrusion upon his awful life, so I think it’s less “Stef is doing this because Ncuti” and more “Stef is doing this because he chooses to,” with a layer of “Stef is doing this now because he knows it’s a time when he’ll get the attention and outrage he seems to crave” — he also tried to claim ownership of the TARDIS using basically the same tricks during the 50th anniversary period.

Personally, I think this kind of thing works best when you get the fandom to rally behind you — I’m generally happy to say, yeah, somebody who made a major contribution early on to something that’s a billion dollar brand now should be recognised beyond what they were paid at the time — but Stef seems to have gone the “I know how to make a stink and I’m gonna make the smell everyone’s problem” route.

Two

The contract situation on old Doctor Who is messy. The rule, generally, is, if something was invented by somebody on BBC payroll, it belongs to the show, and if it was invented by a freelancer, they have some amount of legal ownership over the concept. Terry Nation fully owned the Daleks, now his estate does, and for much of the 60s and 70s he tried to make a standalone Dalek show — typically a 60s-style sci-fi space police thing — happen.5A pilot script was adapted for audio by Big Finish in 2010 as The Destroyers. Bob Baker and Dave Martin owned K9,6See: The relationship between K9 mostly being absent in The Sarah Jane Adventures and the existence of Disney XD’s K9 series. And the perpetually definitely-happening K9: TimeQuake. the Brig has his own long-running military sci-fi novel series fully licensed from the Haisman and Lincoln estates that the BBC has no involvement in7From Candy Jar Books. I like these, but they only did audiobooks for the first few seasons., etcetera.

Some version of this is still happening, even — we know legally RTD invented Captain Jack even though Steven Moffat wrote his first appearance, meaning RTD essentially owns Torchwood, and Moffat seems to have retained some amount of control over the Paternoster Gang concept in the years between Big Finish getting the modern license and them getting to do Paternoster Gang stories of their own. Note also who and what get “created by” credits when in the modern show.

(This is even more of a thing in the various book ranges, where a lot of the ownership of the text has fully reverted back to the authors, and you’ll sometimes see whole books reprinted as self-published versions with the Doctor Who bits stripped out.)

Three

Stef’s TARDIS case a decade ago never went anywhere because when Anthony Coburn contributed the idea of the police box shape for the TARDIS’ interior he was on BBC payroll, a staff writer.8The general concept of the TARDIS was invented by, well, probably Verity Lambert or Sydney Newman or somebody else, look it up yourself. Either way, the BBC has pretty cleanly owned the police box shape since 2002. Coburn was also on payroll when he first conceived of the caveman story he would go on to write, and when he was first commissioned to write it, but then the BBC’s general Script Department was dissolved, and he was re-commissioned to write it as a freelancer. That, ultimately, is where the issue seems to lie.

But: Loads of Doctor Who scripts were written by freelancers, and even when they own their concepts or even everything that happens in the story — the Haisman and Lincoln estates are able to license out the events of Web of Fear to such an extent that the Brigadier in those books is allowed to acknowledge everything that happened except that the people involved were called “the Doctor,” “Jamie McCrimmon,” or “Victoria Waterfield”9They become “the Cosmic Hobo,” “the Scottish lad,” and “the girl with the queen’s name.” — that doesn’t seem to mean the BBC doesn’t own enough of the rights to keep rereleasing them on DVD, Blu-Ray, audiobooks of novelisations, etcetera.

So the big part I’m personally unclear about is — is this situation different in some way I can’t see? Or is this just the first real instance of an estate being controlled by somebody who’s not just happy to cooperate, who’s not just happy to take the occasional licensing paycheck, but is choosing to play nasty? Could they all have been playing nasty this whole time?  Either way, the BBC seem to believe there’s something here. I thought they were just playing it safe when they offered to pay him off — £20k, according to Stef, which he seems to have turned down because he’s being normal about Gary Lineker, I think? — but then yesterday a BBC rep explicitly said they don’t own all the relevant rights10From the Radio Times: “A spokesperson for the BBC said: “This massive iPlayer back catalogue will be home to over 800 hours of Doctor Who content, making it the biggest ever collection of Doctor Who programming in one place but will not include the first four episodes as we do not have all the rights to those.””, which surprised me.

So that’s where this situation is right now. I don’t know how it’s gonna evolve, but I suppose it either ends in the BBC being willing to match Stef’s (undoubtedly very high) asking price, or it going to court. Would court go how Stef wants? I’d imagine he’d rather avoid finding out.

  • 1
    Here’s Gizmodo on the issue. I would recommend strongly against clicking through to Coburn’s Twitter.
  • 2
    Coburn doesn’t seem to be particularly litigious towards people writing about this, but for legal reasons I feel slightly less comfortable being very rude here.
  • 3
    These are all claims I feel I can back up just by pointing at his Twitter, but rest assured I edited out several things I felt like I couldn’t.
  • 4
    David had linked to a social media post suggesting Coburn was specifically doing this because he was mad Dr Who was Black now.
  • 5
    A pilot script was adapted for audio by Big Finish in 2010 as The Destroyers.
  • 6
    See: The relationship between K9 mostly being absent in The Sarah Jane Adventures and the existence of Disney XD’s K9 series. And the perpetually definitely-happening K9: TimeQuake.
  • 7
    From Candy Jar Books. I like these, but they only did audiobooks for the first few seasons.
  • 8
    The general concept of the TARDIS was invented by, well, probably Verity Lambert or Sydney Newman or somebody else, look it up yourself. Either way, the BBC has pretty cleanly owned the police box shape since 2002.
  • 9
    They become “the Cosmic Hobo,” “the Scottish lad,” and “the girl with the queen’s name.”
  • 10
    From the Radio Times: “A spokesperson for the BBC said: “This massive iPlayer back catalogue will be home to over 800 hours of Doctor Who content, making it the biggest ever collection of Doctor Who programming in one place but will not include the first four episodes as we do not have all the rights to those.””
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