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Doctor Who 60th Anniversary Futurama Theory

Content Warning: Spoilers for both the 60th Anniversary Doctor Who Specials and the Futurama movies

When the titles of the 60th Anniversary Specials were first announced it immediately struck me that two of them were almost exactly the same as the titles of two of the Futurama movies. Little did I know at the time that I had just uncovered the greatest plagiarism scandal in the history of… well, I’m getting ahead of myself and I should probably present the evidence first.

Now, just to be clear this is not actually a legal threat, this is just a little observation I made when watching the specials. Unless of course Fox Comedy Central Hulu would like to pay me for my analysis or @Daily for their almost-lawyer skills.

The legal claim theory is that the Doctor Who 60th Anniversary Specials are a retelling of the Futurama movies, or, alternatively, the Futurama movies are a wibbly-wobbly, timey-wimey parody of the Doctor Who Anniversary Specials.1It’s a little known fact that time travel was actually invented around 1998, but Disney suppressed it, because they feared the ability to go back in time would weakened their copyrights. There’s a great documentary about it in a now defunct timeline.
This theory is definitely not solely based on the resemblance between the titles. It is the product of a deep critical analysis of both pieces of media as well as an extensive study of behind-the-scenes material and interviews that I personally conducted; it is not primarily the product of vague memories of a series of movies I last watched a decade ago.
I think the best way to illustrate the similarities is to give you a quick plot rundown of the Futurama movies and show you how with just swapping out some names and a few minor details things start to sound a little too familiar.

“The Star Beast” is “The Beast With a Billion Backs”

Some time after Fry the Doctor and his former roommate companion Bender Donna have parted ways a rip in the universe spaceship crash lands above New New York in regular old London.

DOOP UNIT goes to investigate the rip ship while Fry the Doctor sneaks his way onboard into the temporary base. DOOP UNIT decides to do what they do best shoot a missile guns at the problem. Purple tentacles tendrils made of light appear out of the rip ship and hypnotize anyone they touch.

The titular Beast Yivo Beep, who is neither male nor female and uses the pronouns shklee/shklum just The Meep, tricks everyone into thinking shklee the Meep is benevolent by taking them on a date due to the Meep’s cuteness. However Leela the Doctor reveals Yivo the Meep’s true motive is to fuck everyone fuck everyone up.

At the end Bender Donna goes to retrieve his friend retrieves her memories and they banish the Beast to their own universe prison through some, let’s be honest, handwavy science fiction. Anyway it’s got something to do with love and being yourself.

“Wild Blue Yonder” is “Into the Wild Green Yonder”

The Dark Ones Not-Things who’s shape is unknown have no shape of their own and their only goal is to win the evolutionary arms race win the violent games of the universe and destroy all life destroy all life.

The Dark Ones Not-Things can read people’s minds and take over their mind take on their shape. Fry The Doctor has to figure who is real and who is being mind controlled being imitated by the Dark Ones Not-Things.

Fry The Doctor incorrectly identifies himself Real Donna as the Dark One the Not-Thing and leaves himself Real Donna to be destroyed by the Omega Device the explosion, but the real Dark One Not-Thing is revealed at the last moment and destroyed.

“The Giggle” is “Bender’s Big Score”

Due to time shenanigans a double of Fry The Doctor gets to live out a domestic life with his dog Seymour Donna giving him the closure he never got and reversing the previously sad ending of Seymour sadly waiting for Fry’s return Donna losing her memory of the Doctor.

All of which allows Fry the Doctor to heal and mature and eventually become the wiser Lars 15th Doctor he met before.

“The Church on Ruby Road” is “Bender’s Game”

It’s a Fantasy one. There’s goblins in both. I think. It’ll definitely fit, ok. We’ll know by Christmas when I blow this case wide open.


Addendum

A few more similarities that aren’t directly related to the plot, by the way I’m fine, I’m not some crazy conspiracy theorist, I’ve just uncovered the craziest conspiracy.

  • Bender’s Game was followed by “Rebirth”, a fresh start for the show after a long hiatus. It aired on a new network, but with the original writers, directors and actors returning
  • The next season of Doctor Who is considered a new start and internally referred to as season 1. It is being produced by new production company headed by a returning writer.
  • The only episode title we know of of the next season so far is episode 2 “The Devil’s Chord,” one of the most famous episodes of Futurama is “The Devil’s Hands Are Idle Playthings” in which Fry gains the Robot Devil’s hands allowing him to play music as well as him.

Addendum II

We’re back, baby!
  • 1
    It’s a little known fact that time travel was actually invented around 1998, but Disney suppressed it, because they feared the ability to go back in time would weakened their copyrights. There’s a great documentary about it in a now defunct timeline.

On barnacles

David asked about the Stef Coburn situation — the son of writer Anthony Coburn is claiming his dad had enough of an ownership over the first Doctor Who serial that he, as controller of his estate, now seems to be able to block its re-release1Here’s Gizmodo on the issue. I would recommend strongly against clicking through to Coburn’s Twitter. — and I basically blogged about it in reply.

This is my lightly edited2Coburn doesn’t seem to be particularly litigious towards people writing about this, but for legal reasons I feel slightly less comfortable being very rude here. earnest understanding and assessment of the situation, as I rattled it off at 9:30am this morning after sleeping for twelve hours. I am not a lawyer, and I am not qualified to write about this in any way except that I’m a Doctor Who fan.

Most people writing about this are idiots. I’m probably one of them.

One

Stef Coburn is a misogynist, a conspiracy nutter, a vaccine truther, a racist, a transphobe, an all-round bigot, a typical modern conservative3These are all claims I feel I can back up just by pointing at his Twitter, but rest assured I edited out several things I felt like I couldn’t., who, though I’m sure he hates that Dr Who is played by a Black actor now just by default,4David had linked to a social media post suggesting Coburn was specifically doing this because he was mad Dr Who was Black now. seems to have experienced the show’s very existence as a miserable intrusion upon his awful life, so I think it’s less “Stef is doing this because Ncuti” and more “Stef is doing this because he chooses to,” with a layer of “Stef is doing this now because he knows it’s a time when he’ll get the attention and outrage he seems to crave” — he also tried to claim ownership of the TARDIS using basically the same tricks during the 50th anniversary period.

Personally, I think this kind of thing works best when you get the fandom to rally behind you — I’m generally happy to say, yeah, somebody who made a major contribution early on to something that’s a billion dollar brand now should be recognised beyond what they were paid at the time — but Stef seems to have gone the “I know how to make a stink and I’m gonna make the smell everyone’s problem” route.

Two

The contract situation on old Doctor Who is messy. The rule, generally, is, if something was invented by somebody on BBC payroll, it belongs to the show, and if it was invented by a freelancer, they have some amount of legal ownership over the concept. Terry Nation fully owned the Daleks, now his estate does, and for much of the 60s and 70s he tried to make a standalone Dalek show — typically a 60s-style sci-fi space police thing — happen.5A pilot script was adapted for audio by Big Finish in 2010 as The Destroyers. Bob Baker and Dave Martin owned K9,6See: The relationship between K9 mostly being absent in The Sarah Jane Adventures and the existence of Disney XD’s K9 series. And the perpetually definitely-happening K9: TimeQuake. the Brig has his own long-running military sci-fi novel series fully licensed from the Haisman and Lincoln estates that the BBC has no involvement in7From Candy Jar Books. I like these, but they only did audiobooks for the first few seasons., etcetera.

Some version of this is still happening, even — we know legally RTD invented Captain Jack even though Steven Moffat wrote his first appearance, meaning RTD essentially owns Torchwood, and Moffat seems to have retained some amount of control over the Paternoster Gang concept in the years between Big Finish getting the modern license and them getting to do Paternoster Gang stories of their own. Note also who and what get “created by” credits when in the modern show.

(This is even more of a thing in the various book ranges, where a lot of the ownership of the text has fully reverted back to the authors, and you’ll sometimes see whole books reprinted as self-published versions with the Doctor Who bits stripped out.)

Three

Stef’s TARDIS case a decade ago never went anywhere because when Anthony Coburn contributed the idea of the police box shape for the TARDIS’ interior he was on BBC payroll, a staff writer.8The general concept of the TARDIS was invented by, well, probably Verity Lambert or Sydney Newman or somebody else, look it up yourself. Either way, the BBC has pretty cleanly owned the police box shape since 2002. Coburn was also on payroll when he first conceived of the caveman story he would go on to write, and when he was first commissioned to write it, but then the BBC’s general Script Department was dissolved, and he was re-commissioned to write it as a freelancer. That, ultimately, is where the issue seems to lie.

But: Loads of Doctor Who scripts were written by freelancers, and even when they own their concepts or even everything that happens in the story — the Haisman and Lincoln estates are able to license out the events of Web of Fear to such an extent that the Brigadier in those books is allowed to acknowledge everything that happened except that the people involved were called “the Doctor,” “Jamie McCrimmon,” or “Victoria Waterfield”9They become “the Cosmic Hobo,” “the Scottish lad,” and “the girl with the queen’s name.” — that doesn’t seem to mean the BBC doesn’t own enough of the rights to keep rereleasing them on DVD, Blu-Ray, audiobooks of novelisations, etcetera.

So the big part I’m personally unclear about is — is this situation different in some way I can’t see? Or is this just the first real instance of an estate being controlled by somebody who’s not just happy to cooperate, who’s not just happy to take the occasional licensing paycheck, but is choosing to play nasty? Could they all have been playing nasty this whole time?  Either way, the BBC seem to believe there’s something here. I thought they were just playing it safe when they offered to pay him off — £20k, according to Stef, which he seems to have turned down because he’s being normal about Gary Lineker, I think? — but then yesterday a BBC rep explicitly said they don’t own all the relevant rights10From the Radio Times: “A spokesperson for the BBC said: “This massive iPlayer back catalogue will be home to over 800 hours of Doctor Who content, making it the biggest ever collection of Doctor Who programming in one place but will not include the first four episodes as we do not have all the rights to those.””, which surprised me.

So that’s where this situation is right now. I don’t know how it’s gonna evolve, but I suppose it either ends in the BBC being willing to match Stef’s (undoubtedly very high) asking price, or it going to court. Would court go how Stef wants? I’d imagine he’d rather avoid finding out.

  • 1
    Here’s Gizmodo on the issue. I would recommend strongly against clicking through to Coburn’s Twitter.
  • 2
    Coburn doesn’t seem to be particularly litigious towards people writing about this, but for legal reasons I feel slightly less comfortable being very rude here.
  • 3
    These are all claims I feel I can back up just by pointing at his Twitter, but rest assured I edited out several things I felt like I couldn’t.
  • 4
    David had linked to a social media post suggesting Coburn was specifically doing this because he was mad Dr Who was Black now.
  • 5
    A pilot script was adapted for audio by Big Finish in 2010 as The Destroyers.
  • 6
    See: The relationship between K9 mostly being absent in The Sarah Jane Adventures and the existence of Disney XD’s K9 series. And the perpetually definitely-happening K9: TimeQuake.
  • 7
    From Candy Jar Books. I like these, but they only did audiobooks for the first few seasons.
  • 8
    The general concept of the TARDIS was invented by, well, probably Verity Lambert or Sydney Newman or somebody else, look it up yourself. Either way, the BBC has pretty cleanly owned the police box shape since 2002.
  • 9
    They become “the Cosmic Hobo,” “the Scottish lad,” and “the girl with the queen’s name.”
  • 10
    From the Radio Times: “A spokesperson for the BBC said: “This massive iPlayer back catalogue will be home to over 800 hours of Doctor Who content, making it the biggest ever collection of Doctor Who programming in one place but will not include the first four episodes as we do not have all the rights to those.””
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